Tuesday, January 29, 2008

moif world update

Well, so far I've managed to go swimming six times in January and I'm certainly paying for it. I have aches and pains all over, some of which are actually quite scary. According to the Beeb people like me age faster so it ought not be so surprising that years of illness, medical side effects and generally living before my computer have taken their toll. They have and I ache all over. After I got back from swimming I walked about the city centre with Freja (who was face painted as a zebra) on my shoulders for an hour or so and now I feel like I've had the bejeesus kicked out of me. The various aches and pains have gotten so over the top that I felt compelled to go and see my GP today. He found nothing wrong with me and my latest set of blood tests showed nothing but a slight D vitamin deficiency. He must think I am an avid hypochondriac and I really wish I was since the fourteen or fifteen points of agony I can now count on my body are starting to bum me out (you can tell why I never got into sports). I'm still trudging on, though I haven't been back to my psychologist again (can't afford the fee's). I'm going to be going on a job seeking course soon, as well as a project for people with long term chronic illnesses. I'm hoping against experience that these might help me climb further out of my 'dark pit of despair'.

So anyway. I went to a family gathering during the week end and met some of my cousins. Some of them I haven't seen in 15 years. Most I hadn't seen in 12. It was really good to see them all, but I felt there was a lot of tension in the room, the product of our parents and their civil war. Its amazing to me just how many people in my generation have parents who don't get on with their siblings. The baby boomers seem to be very quarrelsome. I wonder if we'll all be the same in fifteen or twenty years time (provided we actually make it that far).

Saturday, January 26, 2008

Sweeny Todd: The Demon Barber of Fleet Street.


Dir: Tim Burton.

Here is an old classic by a well versed master of the genre with a famed actor of considerable repute and a lot of really talented camera people, set designers and art direction. The ambience of old London is in place, the sense of Victorian squalor has been evoked and the costumes are tip top.

So why is this film so bad?

Because they keep singing awful songs! Why? Why? Why? The actors don't sound good and the songs are just awful because they are so predictable. It seems stage musicals always fall back on tuneless monologues interspersed with a catchy chorus. Tim Burton didn't bother to change this so Depp would be droning along with either Rickman or Bonham Carter and they'd sound like amateurs in a town hall pantomime production. This isn't meant to be a reflection on the merits of amateur theatrics, which I'm sure are the utmost pinnacle of performance for amateur actors, but this is a Tim Burton film with a massive budget, a plethora of world class actors and a fantastic story to work with. What could possibly go wrong?

It hit rock bottom when the little kid started singing. Then the mediocrity was complete. It wasn't that he had a bad voice. It was just that he looked and sounded like a child in a childrens school play. I'm sure his family would have had tears of joy in their eyes at his performance and quite rightly so for he had a sweet voice, but for me, it was an effort of will (and a desire to see any digital matte paintings that might crop up along the way) to keep going to the end of the film. I've never come across such a deliberate juxtaposition of the mundane with the sublime.


Stuck in my head...

...are these lines by Bowie...

"everything I've done, I've done for you.
I move the stars for no one."



...and for weeks, even months now, I've had the recurring string passage from the Bourne trilogy soundtracks echoing in the back of my mind...

Sunday, January 20, 2008

Freja: winter blues

Heres for all you Snoos fans who keep pestering me for posts about her majesty. Suffice to say there is not much to say. Freja is currently ill (she has a slight fever) and will probably stay at home with me tomorrow. On Friday she got bitten by one of her boy friends at day care. He bit her so hard it broke the skin so we had to check that she's had her shots. She had but I'm keeping an eye on her given that she now has a fever two days later. I doubt its anything serious, but I'm also paranoid.

I tried to take some photo's of her yesteday, since (you know who you are) all keep asking for them, but the camera doesn't like the gloomy light of January so they're either too dark or the flash bleaches out all the details. The Snoos is not good at sitting still either. She is an incurable meddler; she can't keep her fingers away from things. And thats about all there is to say about the Snoos at the moment, I'll post more if anything thrilling happens.

_

Wednesday, January 16, 2008

Canadian cartoon furor

Yup. This is everything we were brought up to believe in.

The Forge of God & The Anvil of Stars

-
By Greg Bear

I was looking up Von Neuman machines on Wikipedia a few weeks before christmas and saw these two books listed in the description. My memory is such that I had totally forgotten that I had already read the second one, so I ordered them both from Amazon's excellent used book sellers listings and was as usual pleased at how cheap they were (relative to buying sci fi books in Denmark).

Alas, I was less pleased with the stories. The first one takes place in the present when strange new geological features betray the arrival on Earth of alien life forms. Soon the authorities get involved and things go from bad to worse when the puny humans realise the Earth has been seeded with a binary doomsday device which is slowly orbiting the Earths core on seperate trajectories and once these intersect the Earth will be destroyed.

Thats essentially the first book in a nutshell. The humans wail and panic and some precious few are rescued by yet more aliens who arrive just too late to save Earth. I wasn't really impressed by the story, nor the story telling and I positively hated the recurring character who was dying of cancer as this kept reminding me of my mother.

The second book takes place a generation or so later when the children of the survivors are riding 'the ship of the law' to find and destroy the race who destroyed the Earth. The story goes, the aliens who arrived too late to save the Earth in the first book have since supplied humanity with a ship capable of exacting revenge on 'the killers' (who are never identified in either book) and this ship is manned by human children who witnessed the destruction of the Earth.

A lot of this second book is taken up with the boring dynamics of the crew as they go about this mission and its a long painful read when you just couldn't give a toss. By the time the humans had reached the worlds they believe are home to the alien bad guys I was tired of Greg Bear and about ready to curse his family for ten generations in either direction. Things picked up a bit once 'the Killers' were found, some moral ambiguity had been added to the mix, but it was too little too late. I finished the book with a sigh of relief.

There are quite a few problems with these books, not least my sated appetite for most sci fi idea's. Trouble is, I've seen it all before and usually by far better story tellers. Bear's aliens are just too much. Instead of simply pushing a huge fuck off asteroid in to the Earth they go to the sort of elaborate extremes and deceptions that usually characterize Bond villains, then they defend their own systems with all kinds of elaborate deceptions, even using numerous innocents as shields from which to hide behind.

The end of the story leaves one at a loss. The aliens who killed the Earth and the aliens who help the human children strike back are much the same, both using innocents as proxies against each other. Its conceivable they are one and the same race, no doubt this point is what Bear designed from the start, but the trouble is, he never gets around to actually making it, he merely leaves it hanging in the open so your not sure if this is what Bear is actualy saying. He sets up his storys to be some kind of epic tale and then ends with such a twee happily-ever-after that I wonder if he even understood the implications of his own story!

And its a piss poor example of Von Neuman machines if you ask me. Essentially they were nothing of the sort. Benfords machines are far better (and much scarier)
2/5

Danish military news

On January 14th, the Inspection frigate Thetis of the Royal Danish Navy set out on a 7,000 nautical mile journey to take up her duties for the UN, protecting food supply ships from the notorious pirates who operate out of Somalia. She is expected to arrive on February 1st in time to take over the job from the French Navy. Travelling with the ship are an undisclosed number of Danish special forces soldiers from the Frømandskorpset whose job will be to travel on civilian freighters in case these are attacked.

Head of Søværnets Operative Kommando, Rear-admiral Nils Wang (what a name!) is quoted on the HOK site; "The mission is a very important task which the crew of the Thetis, the Frømandskorps and the Military Police are well equipped to face. I am pleased that the Navy can help bring emergency food and aid to one and a half million people. It makes good sense".


Thetis is a hardy little warship whose usual duties are in the far north where she patrols NATO waters, last year in a storm off the Faeroe islands a storm wave ripped off the top of her main gun's cupola! No doubt the warmer weather off Africa will bring its own challenges but at least the crew won't have to worry about being cold.

Thetis is armed with a main 76mm gun (the forward cupola), two 37mm guns, and she has been fitted with up to 12 .50 calibre machine guns for this mission as the pirates are known to operate in smaller vessels. She is also equipped with a Lynx helicopter, can launch depth charges (though I doubt these will be of any use) and carries Stinger AA missiles.

---------


Meanwhile, in Afghanistan, things are hotting up for Danish troops. Quietly, Denmark finally sent the tanks which were debated so hotly in the Danish parliment last year after repeated requests by the troops on the ground for tank support (in other words the socialists failed to prevent Danish troops from getting the tools they need to do what the Socialists say they are in favour of them doing). The few Leopard II's actually sent have now seen combat supporting Danish and British troops in Helmand province. On January 5th three tanks along with a unit from the Danish mechanized infantry group engaged Taliban forces from the east side of the Helmand river. According to Christian Reinhold, press officer at HOK, once the tanks began firing across the river,the Taliban then attempted to out flank them, no doubt to bring their RPG's to bear. Losing a Danish tank at this early stage, or any other, would be a serious propaganda coup for the Taliban, and also for the told-you-so Socialists back here in Denmark (and I wonder which of them would be the happier).

The Taliban failed. The Danish tanks were placed in such a position that they had both the high ground and plenty of space to move. They were easily able to defend themselves. Helmand is now said to be quiet as the cold weather has settled in.

Monday, January 14, 2008

Strict machine



Todays featured track, by Goldfrapp. I listened to this one as I made lasagne this afternoon. I always listen to loud music in my headphones when I make dinner. Gives me something to dance to.

Went swimming today. Third time this year. Still doing forty lengths (1km) as usual. I've have pains in my pelvis and hip joints for several months now. Still waiting for it to abate. No change though. Tomorrow I really bite the bullet and face the dentist. I can already taste the fear.

Feeling jaded but I don't know quite why.

Sunday, January 13, 2008

Rocketman 4 Intro

For Peter, Oleg and possibly Rasmus. Coming soon, to a table top near you:



After rescuing Audrey Summers from the Iron Tsar, Daniel Mansfield returns to London on the first of August, 1936 to find Project Meteor has been reactivated. He meets with Sir Hugh Sinclair, head of MI6 who informs him that the rocket pack built by Prof. Summers is now once again the property of the British government.
“We’re very impressed with what you did in Kazakhstan” Sir Hugh says over a glass of sherry in a wood panelled office, “and we’d like you to do it again, this time for us, if you don’t mind.”
Mansfield, never one for hesitation, swiftly replies.
“By us, I take it you mean MI6?”
Sinclair hesitates.
“Not quite... actually, espionage is rather a dirty business and you never know just who is working for whom. The thing is, we just can’t risk this invention falling into the wrong hands, do you see? We have to be absolutely sure that no one even suspects, who or what Rocketman is.”
“Rocketman?”
“Yes, rather a fetching name don’t you think? My personal secretary Miss Jennings thought of it. This way, if any one does see you or catch wind of your exploits, we can put the word about that your some kind of phantom... a figment of the imagination rather than an actual agent of his majesty’s government”
“It sounds rather jolly when you put it that way”.
The spy master regards the handsome pilot with a raised eye brow. He’d been warned not to be fooled by Mansfield’s boyish manner and now he see’s why. His long experience with evaluating agents for dangerous missions recognizes the ruthless man of steel hidden beneath the smiling charm and old school tie. Mansfield is the perfect man for the job he realises. Too bad he’s married though...
“So what’s the game then?”
Sinclair pulls out a slim brown dossier and hands it over.
”We had this a few days ago and I’ve been mulling it over. Its a stroke of luck you returned when you did because its right up your alley. I believe you even know the man...”
Curiousity hooks Mansfield and he opens the folder to reveal a map, some type written papers and a telegram...

+PACKAGE+ARRIVES+24TH+STOP+
+MESSNIER+NO+LONGER+NEEDED+STOP+
+INITIATE+PLAN+C+STOP+
+LIQUIDATE+ALL+ASSETS+STOP+

”Messnier?” Mansfield looks up sharply. ”Marcel Messnier?”
”The same, Sinclair replies as he lights his pipe.
”Whats the old chap got himself into now?”
”Its a curious affair really. Some time last year Messnier came back from a clandestine operation in North Africa with some kind of animal no one had ever seen before. A giant spider or so I’m led to believe. Maybe you’ve heard of this? Well anyway, he showed this thing to some boffins in Paris and it didn’t take long before the French had a secret project in the works to examine this thing. Trouble is, they weren’t the only ones who were interested. One of their science boys, a biologist called...”
Sir Hugh peers at the type written papers myopically,
”...Eduardo Lopez, a Peruvian, sold the French out to some very dubious types in south America. Its all written in this report if you care to read it, but I’ll just give you the bare facts. Lopez passed on a lot of technical information to a character known as Moros, we have a whole file on him which I’ll let you read in due course. Suffice to say we’ve had our eye on him for some time. He was recently in Paris posing as an historian. He bought a famous statuette known as the Golden Anaconda, apparently to return it to its ancient home in Brazil. We think this was when he made contact with Lopez. We can’t be sure, because Lopez was found dead not long after that, killed by an unknown toxin.”
”Moros...” Mansfield frowns, ”Doesn’t that mean something?”
”Yes, it means ’fate’, or ’doom’, depending on which historian you ask. Its obviously an alias and we don’t know who he really is. What we do know is that he has connections to a lot of strange and otherwise unrelated people, not least one of whom you’ve already had dealings with.”
”Oh?”
”Indeed. I’m informed you are familiar with a certain Prussian aristocrat?”
”Do you mean the Baron von Schöenberg?”
”The very same.”
”But it was Schöenberg who discovered the valley with the giant spiders!”
”Indeed. Clearly there is a connection, but we haven’t been able to clarify it as yet. Before he quit Germany Schöenberg used to supply weapons to Moros, but we never saw any reason why. Moros is deeply involved with local Amazonian tribal groups and may be involved in some kind of secret organisation, possibly a rebel faction which wishes to set up its own state, or something more obscure. We can’t see any possible reason why Schöenberg was supplying these people with weapons.
What we do know is that Moros has already departed France with the Golden Anaconda and is set to arrive at Macapá on the 19th. We believe that Eduardo Lopez gave him something important, something to do with this giant spider the French are busy studying. ”
” Macapá?”
”Its a city at the mouth of the Amazon. A mining town mostly. We have an agent there, Sancho Gutiérrez, he’ll be your contact when you arrive. He’s well connected with the people who run the Amazon, officially and unofficially.”
”What about Messnier, shouldn’t I take him along?”
”We considered it but thought it might be risky, he is after all a French agent with unscrutable connections of his own but it turns out he went missing shortly after his arrival in Paris and no one knows where he is”
Mansfield looks down at the telegram
”You don’t think...?”
Sir Hugh smiles around his pipe.
”I don’t have to. I’m sending you to find out.”



Meanwhile, off the east coast of Africa...

At a casual glance the steamer resembles any other ship of its kind. Old, rusting gently, its age is apparent in its tall funnel and upright bow. The Santa Maria is obviously an old ship, built before the turn of the century, probably in northern Europe though she now bears a Cuban registry, ’Havana’ painted almost illegibly across her broad stern.

A closer inspection by an experienced sailor might note a few unusal aspects of the ship however. Old and rusty as she might appear to the eye, her engines sound deep and powerful, she carries more radio masts than a ship her size needs and her some what large crew, all of whom are European, walk briskly and with great purpose. Only one man appears to be taking his leisure aboard this ship. Standing at the stern and contemplating the ships wake is a tall, iron grey haired gentleman dressed in an impecable ivory suit and smoking an expensive cigarette.

Otto Lübke is the ships radio man. Sitting in his cabin to the rear of the ships bridge he listens to the incoming radio message intently ignoring the noise from the mess below where several of the ships crew are listening intently to a another radio broadcast, this one from Berlin where Adolf Hitler is opening the Olympic games. The list of numbers is long and precise and he writes down the ciphered message with care and precision on a note pad. A single error could result in a garbled message so he requests a repeat broadcast and double checks through the list of numbers just in case. The list is intact and so he breaks radio contact. A button operates a distant bell below and not long after the message is being decyphered by Oberleutnant Weiskirchner.

Weiskirchner reads through the message and then makes his way aft to the stern where Baron Gottfried von Schöenberg having finished his cigarette is standing with his hands clasped behind him.
“Yes?”
“A message from Brazil mein Herr”
The Baron regards the message with cold hard eyes.

Moros is demanding triple original fee.
He threatens to sell the formula to HH if demands not met by 25th.
What are your orders?

“A renegotiation of an agreement is always possible.” The Barons words startle Oberleutnant Weiskirchner who is not used to such blatent introspection from the Baron.
”Indeed mein Herr” he manages to reply.
Von Schöenberg regards him with something akin to benevolence.
“But a threat? That we will not tolerate. Reply to the message at once. Tell Helga to execute plan E.”
“Jawohl mein Herr!”
Oberleutnant Weiskirchner returns at a brisk pace to the radio room and the Baron turns to regard the distant horizon with a cold chilling smile.



Arriving by a specially chartered empire flying boat in Macapá Daniel Mansfield steps up onto the dock and regards the busy dockyards. Behind him Mad Dog Mitchell passes several cases up to George McArthur from the small boat which has ferried them to land.
“Well, hell, here we go again” The Texan mutters to himself. “Another mad caper in some Gawd forsaken hell hole.”
“Isn’t that why your called Mad Dog?” George replies with a broad grin.
Mitchell pauses in mid toss.
“You watch your manners boy! People gotta earn the right to call me by that name”
George laughs and catches the heavy suit case Mitchell throws at him.
“By heaven! What do you have in here? It weighs a ton.”
Just the usual” Mitchell shrugs. “Mah Browning, a few grenades, some salami... I don’ know why I keep going on these crazy missions with you limey’s anyway. I oughtta be settlin’ down back in Texas, ‘cept there’s a few folks still sore at me there ah reckon.”
“Come off it. You love every minute of it.”
Mansfield lights a cigarette and turns to his two companions.
“You chaps stay here whilst I go find this Gutiérrez fellow”
“And do what?” Mitchell replies
Mansfield notices a hotel sign.
“Take a room at the hotel there and keep an eye open for me. I’ll return as soon as I can.” He makes his way through the crowded dockside and disappears amongst the mass of busy workers. Out in the bay a ships steam whistle cuts across Mitchells reply.

Sancho Gutiérrez is a small, stocky man in a seedy brown suit with a pock marked face. At first Mansfield is sure there is some mistake, but seeing the intelligence in Gutiérrez’s eyes he quickly understands that the Brazilian is far more than meets the eye. He sits down opposite the man in a small water front tavern, unperturbed by his candid gaze.
“Sir Sinclair has given me strict orders to assist you” Gutiérrez says as he holds out a packet of unfamiliar cigarettes. Mansfield waves them aside and sits at the table. Gutiérrez, his back to the wall lights his cigarette and then blows the smoke up to the ceiling.
“I was not sure I understood the message so I asked for a clarification. I think London was a bit surprised. They’re not used to agents questioning their orders I suppose but I had to be sure. The man you seek, this Moros, he is a very dangerous man and he operates far from Macapá. We will have to travel several days up the river to find him and he will probably know we are coming. His people own the river up there. It will be very dangerous.”
“Can’t you bring some men?”
“Certainly I can bring some men, but I can’t bring an army, not without drawing attention from quarters we do not wish to know what we are about.”
“How many?”
”Maybe four or five militia men, I don’t know, I’m well connected, but I’m not the army”
”Thats not enough. If we’re to face Moros on his own ground we’ll need more than that
”Ten then?”
Mansfield frowns and Gutiérrez sighs
“...and a machine gun?” he adds
”It’ll have to do. When do we leave?”
”Tomorrow morning. I shall go and see Captain Ortiz now” he drains his coffee and starts to get up but Mansfield holds his elbow, restraining the smaller man with ease.
”Captain Ortiz?”
”He is a friend of mine, don’t worry, he will cooperate, and anyway, we can’t do this without his men. You want ten men and a machine gun at such short notice, then I must meet with my friend and pay him some money to make him extra friendly”
Mansfield releases the small Brazilian and watches him leave the taverna. The job is on, can he trust Gutiérrez? He ponders this for a while, thankful that he has Mitchell and McArthur along to back him up. He sighs gently, finishes his tea and leaves a tip tucked under the plate. Seeing this, the waitress smiles at him as he tips his hat and leaves.
Its time to get the rocket out...

Thursday, January 10, 2008

Antistar...



...by Massive Attack. An old favourite which I heard today as I rode a city bus on my way to my psychologist. On Tuesday I went swimming and I'll go again tomorrow. No news on my weight yet, but its early days and there's a lot to lose. Little steps up the long ladder... I think I'm having an emotional reaction now. I keep wanting to laugh one minute and then tears well up in my eyes the next. I suppose its not easy to find a good psychologist, but I seem to have found one. Its odd to think some people might see going to a psychologist as an admission of weakness. It feels great to me, like I'm finally confronting the pit. Maybe its because I can't hide my weakness any more...?

Its good to be alive today.

Wednesday, January 09, 2008

'Survivors' Vs 'The Day of the Triffids'

Here we have two classics of the 1970's BBC drama department. Both rich in Cold War paranoia, both dealing with an England devastated after the fall and both adapted from books by heavy weights of popular British science fiction. In both books a man made curse (not nuclear weapons) has wiped out 99% of the human race and the survivors are struggling to do just that; survive. The only difference between the two is that in 'The Day of the Triffids', the puny humans must also contend with giant walking vegetables roaming the landscape slaying every one they meet...

The plot in 'Survivors' is super simple. A manufactured virus gets loose in the general population and via the global air transport system quickly spreads across the globe. The disease has just the right incubation period to be lethal and is horribly contagious. Within a few weeks the human race is on the verge of extinction. Of 50 million people only 10,00 remain in the UK. The TV series (of which I have only seen the first season) deals with the same set of characters as in the book, but deviates quite a lot with characters who die in the novel surviving in the TV series and vice versa.

There are some pretty lousy plot holes in the TV version of 'Survivors' with the characters settling in an abandoned stately home despite such buildings being described as death traps in the book due to their heating needs. On the whole the TV series doesn't really convey the sense of dejection and abject misery which pervades the book. The TV characters work out their differences where as in the book, the survivors mutter and grumble as circumstances beyond their control having thrown them all together threaten to snuff them out as bleak winters and scavengers constantly threaten their meager existence. On the whole the book by Terry Nation really gets into how hard a long term survival in a post apocolypse world would actually be. The pages are crammed with mud, stinking unwashed bodies and raw chapped fingers. By comparison the TV series features several well fed adults and two children sitting about agonising over moral dilemma's in an endlessly long summer. Sure they lose their crops and a fox eats their chickens, but these events are merely plot devices for yet more agonising on moral issues and never seem to really trouble the actors much. The leading actress even wears a mass of impractical rings on her fingers through out the entire series!

The plot in 'The Day of the Triffids' is a bit more complex. First, a new type of walking plant is discovered and no one knows where it comes from. Things get even more complicated as this new, proliferating form of life is found to be not only carnivorous, but also armed with a poisoned barb on a whip like tendril. No problem for the humans who find that these triffids produce an oil which may solve many of the worlds oil needs and so begin to farm them in specially built enclosures.

Then one night, planet Earth is witness to a startling display of unusual lights in the sky. Every one turns out to gaze up in amazement at this weird sight which is described as 'probably being a meteor shower'. The next day however, every one who saw the lights is blinded by having had their optical nerves burned out. The few who have survived with their eye sight intact find themselves in a mad world surrounded by millions of blind people and then the Triffids start breaking out...

On the face of it, 'The Day of the Triffids' is a bit of a soft touch. The set up requiring two major man made catastrophe's to happen within a few years of each other for the social order to tumble leaving the Triffids at the top of the food chain. One might be forgiven for thinking the whole story was a bit silly, Wyndham doesn't really get into how people would really have to survive at all, he just unleashes his beasties and gets on with it. There is little in this story about how hard survival would really be and yet some how it comes across as being more believable. Perhaps because Wyndham was a better story teller, or perhaps because the BBC screwed up 'Survivors' by having so many writers working on it?


Both books strive for an ambient end-of-the-world feeling and both suceed to some extent. 'Survivors' is some what bleaker, especially the ending (which was scrapped for the TV series) and seen with any sense of realism, 'Survivors' ought to come out trumps. 'The Day of the Triffids' is blatently absurd in its premise and yet this is what saves it. 'Survivors' sets itself up to be a serious tale about modern people surviving without the benefits of their modern society and as such it really goes no where (the TV series squanders even that). Its the absurdity of the Triffids which makes them more appealling. Despite their comical appearance, they have a menace which gives Wyndhams tale something more than just the moral dilemma's faced by Nations band of survivors. In short, a post apocolypse tale really needs to have something more than just a bunch pf people trying to survive. It needs an ongoing sense of drama. 'The Day of the Triffids' has that, so does 'Survivors' the book, just about.
'Survivors' the TV series (season 1) doesn't.

Survivors (TV series one)
By Terry Nation, Pennant Roberts, Gerald Blake, Terrence Williams, Jack Ronder, and MK Jeeves.

2/5

Survivors (Book)
By Terry Nation
3/5

Day of the Triffids (TV mini series)
By Ken Hannam & Douglas Livingstone.
3/5

Day of the Triffids (Book)
By John Wyndham.
4/5

The World in Winter

By John Christopher

This is one of those Penguin classics from the 1950's which like Wyndhams 'Day of the Triffids' probably made a bit of an impact when it was released, but has since faded into relative obscurity. The premise of the tale is simple enough. The sun hiccups and the next ice age kicks in, fast! Within a year the northern hemisphere is freezing over, the masses move south and then the racial interplay is reversed with whites becoming servants, cleaners and prostitutes for black Africans. The story doesn't waste any time. As the ice age kicked in fast, so the Africans are quickly returning to the frozen wastes of London in a colonising attempt which meets unexpected resistance from the survivors. The story is seen from the perspective of a British TV producer who must not only contend with an oncoming ice age and the trip to a some what hostile Africa, but also with an unfaithful wife who does what she must to survive.

The book is very biased, but its hard to tell in which direction it really leans. Christopher appears to be making some point about the racial politics of the 1950's, but at the same time he pulls no punches with regards to the Africans. Every one is portrayed in an unflattering light which left me some what frustrated. There are no likable characters at all and even the hero spends most of his time stoically accepting one betrayal after another. Cynical as hell, I can't decide if this book is as realistic in its approach to basic humanity as it is unrealistic in its portrayal of global politics in the fact of a world shattering event; I imagine the Europeans would not just walk cap in hand to Africa, I reckon they'd dust off their colonial instincts, grab some superior weaponry and invade the place. Those who couldn't or wouldn't turn to such extreme measures simply wouldn't survive. Morality is dependent on circumstances and people with few options left for survival usually don't quote the Geneva conventions.

This is one of the fundamental lessons of any post apocolypse tale. Just how far will you go to survive? Would you kill other people just to take their food/land/fuel? If you knew that other people's survival stood between your family and probable death, what would you do? 'Do the right thing' means nothing when people disagree as to what 'the right thing' is. This book only tries to address this point towards the end, and shys away from following its own premise to the logical conclusion. Instead I think it tries to make some obscure point regarding colonialism and as such it scores low.
2/5

Another review.

Saturday, January 05, 2008

Artist of the Month: Daniel Horne


Daniel who?

There's no personal background reasoning for January's artist. No history of inspiration or anything like that. I just saw Daniel Horne's work the other day on Andrew Glazebrook's blog and liked what I saw! I've always had to recognise the skill of any one who can sculpt as well as draw, and especially in multiple media like this guy can. Very nice. He makes dolls and small sculptures apparently from the same materials that I've experimented in (so I have an idea how hard these are to sculpt with) and I like his style, even if he has borrowed quite a bit from various sources (who hasn't?!)



Apparently he has a thing for girls with red hair and old sci fi movies from way back in the day but I can't say I blame him for that. There are more images of his work at his photobucket site.

Wednesday, January 02, 2008